{"id":6573,"date":"2026-03-10T08:47:50","date_gmt":"2026-03-10T07:47:50","guid":{"rendered":"https:\/\/romaarteinnuvola.eu\/?page_id=6573"},"modified":"2026-03-10T11:07:43","modified_gmt":"2026-03-10T10:07:43","slug":"performance-2026","status":"publish","type":"page","link":"https:\/\/romaarteinnuvola.eu\/en\/performance-2026\/","title":{"rendered":"Performance"},"content":{"rendered":"

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Performance<\/h2>\n

[\/vc_column_text][vc_empty_space height=”25px”][vc_column_text css=””]Fully consistent with its identity and its distinctly interdisciplinary approach, Roma Arte in Nuvola<\/strong> confirms itself as a cultural ecosystem in constant evolution<\/strong>. The beating heart of this vision is expressed through a programme of , a project-based dimension that transforms the fair into an open laboratory for experimentation. This programme does not merely frame the exhibition but ambitiously aims to foster dialogue among heterogeneous artistic languages, engaging both established masters and the most daring voices of the emerging scene.<\/p>\n

The integration of these performative actions plays a decisive role in enhancing and diversifying the artistic and cultural offering<\/strong> of the event, providing visitors with an immersive experience that goes beyond the simple viewing of static artworks. Through body, voice and space, the fair reaffirms its role as a catalyst for contemporary arts<\/strong>, encouraging a direct encounter between the artist\u2019s intention and the sensitivity of the audience.<\/p>\n

As evidence of this ongoing research, previous editions have hosted performances by:
\nAlix Boillot, Francesca Cornacchini, Marilisa Cosello, Iginio De Luca, Sonia Andresano, Giorgia Errera, Francesco Fonassi, LU.PA (Lul\u00f9 Nuti and Pamela Pintus), Filippo Riniolo and Daniele Sigalot.<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=”” css=”.vc_custom_1773128919112{padding-top: 60px !important;}” el_id=”performance”][vc_column][vc_column_text css=””]<\/p>\n

Thursday, November 20, 6:00 PM<\/h2>\n

Writer\u2019s Block by Daniele Sigalot<\/h3>\n
<\/div>\n

Friday, November 21, 3:30 PM<\/h2>\n

L\u2019\u00c9ternit\u00e9 (1) by Alix Boillot<\/h3>\n

Human crying as the eternal cycle of water \u2014 emotions flowing in a river of tears \u2014 this could be the essence of Eternity<\/em>.
\nA performer, actress Maria Pia Fusi<\/strong>, wears a necklace made of salt pearls from Lake Assal (Djibouti), whose shape and saline nature allude to tears. The necklace stands out against the black dress \u2014 the color of mourning in Italy \u2014 worn by the performer, who sings a cappella a song by Jeff Buckley, \u201cGrace,\u201d perhaps a premonition of the artist\u2019s own drowning in the muddy waters of a Mississippi tributary. The singing grows increasingly intense and heartfelt until tears fall: a liquefaction of our emotions that connects us to the world. In this mysterious overflow, water molecules emerge \u2014 their residence time varying: 3,200 years in the ocean, 9 days in the atmosphere, 10,000 years in aquifers, and 10 days in the human body. Tears have known the sea \u2014 a sea they will soon return to. This intimate \u201chigh tide,\u201d which we have learned to contain, transforms the singer into a fountain.
\nCurated by Isabella Vitale<\/strong>.<\/p>\n

Alix Boillot<\/strong> (Paris, 1992) lives and works in Paris. Her practice spans sculpture, installation, scenography, performance, and publishing. Her research investigates what is ephemeral and immaterial: imagination, simulacrum, and belief. At the center of her work are objects and relics that define human identity, whose value is determined by the meanings we attribute to them.<\/p>\n

Saturday, November 22, 3:30 PM<\/h2>\n

Try by Marilisa Cosello<\/h3>\n

Try<\/em> refers to the attempt, the trial, the aesthetic ambition inscribed in the athletic gesture \u2014 a project about the mythology of the body and decontextualization as a critical device.
\nFor the performance hosted at Roma Arte in Nuvola, this set of meanings undergoes a radical reduction. Space and context are eliminated. Two boxers remain. The question is no longer where the body acts, but how the body produces thought. When you remove the background, what remains is the body as pure language \u2014 no mediation, no frame.
\nThe boxing gesture becomes the only available sign system: attack\u2013defense\u2013dodge\u2013strike. Boxing articulates a relational syntax based on distance, time, and the anticipatory reading of the other\u2019s body. The boxers cease to be objects of vision and become subjects producing corporeal knowledge \u2014 generating understanding for themselves, between them, through simultaneous, non-linear, relational logics. The performance becomes a space to test whether the body can stand on its own as a self-sufficient system of thought, without the need for translation.
\nCurated by Adriana Polveroni<\/p>\n

Marilisa Cosello<\/strong> (Salerno, 1978) lives and works in Milan. She uses photography, video, performance, and installation to explore the body as a narrative and symbolic tool. At the center of her practice are the dynamics between power and the public and private spheres, family rituals, and collective archetypes.<\/p>\n

Saturday, November 22, 5:30 PM<\/h2>\n

Mission Space Y by Filippo Riniolo with Corrado Formigli<\/h3>\n

Artist Filippo Riniolo<\/strong> has just returned from the lunar mission \u201cSpace Y.\u201d A few hours after landing on Earth, the cosmonaut meets the public to recount his experience on the lunar surface, in an event that promises to be extraordinary for both its scientific scope and symbolic significance.
\nThe meeting is led by journalist Corrado Formigli<\/strong>, who interviews cosmonaut Riniolo in an in-depth dialogue about the stages of the mission, the technical challenges faced, the political implications, and the perspectives opened by a project that looks toward the future of humanity\u2019s relationship with space.
\nThe mission aimed to locate and retrieve waste left behind by previous space expeditions \u2014 a complex operation that required months of preparation and a long stay on the lunar surface.
\nDuring the conference, some of the materials brought back from the Moon are also displayed \u2014 objects that bear witness to the gravity of human presence on our satellite and reignite the urgent need for a concrete reflection on the impact of space exploration. The Space Y mission was made possible thanks to the technological and scientific support of Traffic Gallery<\/strong>, SISEI \u2013 Seriana Institute for Space Exploration and Innovation<\/strong>, Mars Planet Technologies<\/strong>, and Punto Azzurro<\/strong>.
\nCurated by Adriana Polveroni<\/p>\n

Filippo Riniolo<\/strong> (Milan, 1986) lives and works in Rome. His research explores themes that intertwine the poetic and the political, the social and the historical, with a strong focus on contemporary issues. Among his main fields of inquiry are the relationship between body and power, sexual diversity, gender studies, and postcolonial perspectives.<\/p>\n

Sunday, November 23, 3:30 PM<\/h2>\n

Landfall by Sonia Andresano<\/h3>\n

The performance LANDFALL<\/strong> explores the relationship between balance and tension through a collective action in the fluid space of Fuksas\u2019 Nuvola. The performers, dressed in black, carry golden buoys on their shoulders \u2014 small sculptures, nautical objects used as navigational tools. The light ropes, stretched and intertwined toward a central bollard, create suspended geometries that change with the movement of the bodies, transforming the space into a dynamic web of lines.
\nThe invisible boundary becomes a metaphor for the relationship between the individual and the community: a signal, a reference point, and at the same time, a constraint.
\nLANDFALL<\/strong> is therefore a drawing of lines, bodies, and sound in continuous motion. The word itself means \u201clanding\u201d and contains both the fall (\u201cfall\u201d) and the arrival, the land (\u201cland\u201d), suggesting a tension between control and surrender. In a historical moment like this, it is necessary to redesign ports, to include and welcome \u201cothers,\u201d to transform obstacles into maneuvers of possibility \u2014 where bodies become mobile borders: political bodies.
\nCurated by Adriana Polveroni<\/p>\n

Sonia Andresano<\/strong> (Salerno, 1983) lives and works between Rome and Milan. Her practice develops through different media \u2014 video, photography, sculpture, and performance \u2014 and focuses on themes such as waiting, travel, nomadism, and change. Her works, often rooted in evolving personal experiences, explore memory, domestic and inhabited spaces, physical or symbolic transitions between places, and the tension between stillness and movement.<\/p>\n

Every day<\/h2>\n

Referendum (2023\u20132024) by Giorgia Errera<\/h3>\n

Voting booths, counting table, ballot papers, copying pencils, ballot box
\n“Referendum<\/em>” is a participatory installation by artist Giorgia Errera<\/strong> (Anzio, 1997) that unfolds over three days: two devoted to voting and one to the counting of ballots. Visitors are invited to enter a voting booth, fill out a ballot with no question by choosing between \u201cyes\u201d and \u201cno,\u201d and place it inside a ballot box. The action continues on the third day with the count, during which the ballots\u2014devoid of any apparent meaning\u2014are tallied and arranged on the table in separate stacks, to be later used in a future installation.
\nThe action stages the ritual of voting as a collective gesture emptied of meaning, questioning the boundary between real democracy and its representation. The absence of a question on the ballot reflects a form of illusory democracy in which voting\u2014an emblem of popular participation par excellence\u2014becomes a pure form without function, a participation reduced to a mere formal gesture devoid of any concrete impact.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space height=”80px”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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The beating heart of this vision…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":{"footnotes":""},"class_list":["post-6573","page","type-page","status-publish","hentry"],"yoast_head":"\nPerformance - Roma Arte in Nuvola<\/title>\n<meta name=\"description\" content=\"Fully consistent with its identity and its distinctly interdisciplinary approach, Roma Arte in Nuvola confirms itself as a cultural ecosystem in constant evolution\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/romaarteinnuvola.eu\/en\/performance-2026\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Performance - Roma Arte in Nuvola\" \/>\n<meta property=\"og:description\" content=\"Fully consistent with its identity and its distinctly interdisciplinary approach, Roma Arte in Nuvola confirms itself as a cultural ecosystem in constant evolution\" \/>\n<meta property=\"og:url\" content=\"https:\/\/romaarteinnuvola.eu\/en\/performance-2026\/\" \/>\n<meta property=\"og:site_name\" content=\"Roma Arte in Nuvola\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/romaarteinnuvola\/\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-10T10:07:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/romaarteinnuvola.eu\/wp-content\/uploads\/2025\/10\/slidehome_RAN_2025.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1100\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/romaarteinnuvola.eu\/en\/performance-2026\/\",\"url\":\"https:\/\/romaarteinnuvola.eu\/en\/performance-2026\/\",\"name\":\"Performance - 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