{"id":6573,"date":"2026-03-10T08:47:50","date_gmt":"2026-03-10T07:47:50","guid":{"rendered":"https:\/\/romaarteinnuvola.eu\/?page_id=6573"},"modified":"2026-11-11T09:04:37","modified_gmt":"2026-11-11T08:04:37","slug":"performance-2026","status":"publish","type":"page","link":"https:\/\/romaarteinnuvola.eu\/en\/performance-2026\/","title":{"rendered":"Performance"},"content":{"rendered":"

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Performance<\/h2>\n

[\/vc_column_text][vc_empty_space height=”25px”][vc_column_text]A full programme of performances enriches visitors\u2019 experience and strengthens the fair\u2019s role as a point of reference for the contemporary art scene in Rome and beyond. This year\u2019s performers:[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column][vc_column_text]<\/p>\n

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H.H. Lim<\/h2>\n

Returning to a Constructive Sense<\/h3>\n

Friday 20 November, 5:30 pm<\/p>\n<\/header>\n

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A katana is a samurai sword. The artist retraces its life, both symbolically and in practice. First raw steel, it is then forged, sharpened and polished in the foundry. The artist follows the same process, ultimately returning it to its original state. His presentation to the public, however, takes on a political meaning. The sword is neutralised as an offensive weapon. It not only becomes mere steel again, but also loses its aggressive charge: a gesture of hope at a time when the sound of weapons resounds.<\/p>\n<\/div>\n

The artist<\/span>H.H. Lim was born in Malaysia in 1954. In 1976 he moved to Rome, where he graduated from the Academy of Fine Arts. He has participated in numerous biennials: Venice (2019, 2013), Bangkok (2021), Shenzhen (2019), Kuala Lumpur (2027), Singapore (2016), Dakar (2026), Prague (2013), Istanbul (2007) and Tirana (2005). His works are held in the collections of many international museums.<\/div>\n<\/article>\n

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Silvia Giambrone<\/h2>\n

YOU ARE CRAZY (a true story, always the same). Fragments for a Semi-serious Cartography of the Present<\/h3>\n

Saturday 21 November, 5:30 pm<\/p>\n<\/header>\n

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The performance explores the emotional geographies, connections and disconnections that run through contemporary relationships. The text is part of a broader, ongoing project through which Silvia Giambrone has gathered fragments of everyday life for many years, using notebooks, notes, annotations, images, observations and fragments of experience.<\/p>\n

This practice, built up over time, regards recording and collecting as an action that is both performative and transformative. Taking notes on the world becomes a way not only to observe and question it, but also to disarm its rhetoric.<\/p>\n

From this perspective, irony plays a central role: it does not make the subjects lighter, but reveals their tensions and contradictions, illuminating the shadowy areas of everyday experience. Moving through relationships, encounters, losses, dependencies, alliances and desires, the text explores the connections and disconnections that shape contemporary relationships, questioning emotional patterns, power relations, gender stereotypes and possible forms of freedom.<\/p>\n<\/div>\n

The artist<\/span>Silvia Giambrone (Agrigento, 1981) lives and works between Rome and London. Her artistic research explores the relationship between violence, identity and processes of subjugation through works that make often invisible power dynamics visible. In 2019 she won the VAF Prize, one of the most significant awards for young Italian artists, and she was an ambassador for Kaunas, European Capital of Culture 2022.<\/div>\n<\/article>\n

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Silvia Cini<\/h2>\n

Taxonomies of the Nonexistent<\/h3>\n

Saturday 21 November, 6:00 pm<\/p>\n<\/header>\n

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This performance focuses on the concept of national borders, tracing their history through the anthems of states that have ceased to exist since 1865, the year in which Mendel\u2019s work gave rise to modern genetics. From that moment, a new way of thinking about continuity and discontinuity in living forms emerged: one based not on appearances, but on deep, invisible relationships, like those that connect us beyond appearances. The succession of voice and music evokes a constantly changing geopolitical landscape, where borders and identities shift over time. In dialogue with botanical taxonomy, the work reflects on the fragility of all classification and the impossibility of imposing a definitive order on the complexity of the world.<\/p>\n<\/div>\n

The artist<\/span>Silvia Cini (Pisa, 1972) is an artist whose works arise from processes sustained by dialogue with the public. Her interest often focuses on the ecosystem: she examines specific elements and symbolically transposes them into interpersonal and social relationships. Her practice, often site-specific<\/em>, takes the form of environmental and sound installations, sculptures, photographs, videos, actions, urban itineraries and sometimes simple readings of texts. Her artistic activity becomes a study of soil, stone and clay, giving voice to a plural, interspecies history made of time, ruins, and the memory of the spontaneous and the wild.<\/div>\n<\/article>\n

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Giulio Cassanelli<\/h2>\n

Fuoco Nuvola<\/h3>\n

Sunday 22 November, 3:30 pm<\/p>\n<\/header>\n

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I challenge you to hold a flame in your hand for a minute and a half without burning yourself. Fuoco is a ritual of secular spirituality, born from a challenge and an act of trust. Fire captivates participants and suspends them from the ordinary through direct contact with the primordial: pure, transformative energy. Each person sees themselves in the flame, experiences an expanded sense of time and inhabits the here and now in the palm of their hand. Playing with fire means carrying and protecting, bringing freedom and responsibility together. It is a symbolic call to enter the experience and publicly reflect on the meaning of the flame, on the fire that animates us and that we safeguard, and on the values we wish to preserve and pass on. Touching fire is a threshold: once initial fear or curiosity has been overcome, the flame invites meditation, profound wonder and contemplation, encouraging individuality and the soul to emerge.<\/p>\n

You are invited to become conscious bearers and protectors of fire. In a brief encounter, participants will experience the work in complete safety, guided by simple technical precautions. The act will be documented through a photographic portrait and a brief oral account: living traces of the experience and reflections on the flame and the meanings evoked by contact with fire.<\/p>\n<\/div>\n

The artist<\/span>Giulio Cassanelli (Bologna, 1979) develops the use of unconventional tools to investigate and capture the uniqueness of the moment. He creates performative devices in which the work takes shape through the alchemy of the process: the images do not describe, but bear witness. They are not merely a record, but the shroud of a pure act, shared and lived \u2014 a ritual experience.<\/div>\n<\/article>\n<\/section>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space height=”80px”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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