{"id":5778,"date":"2025-10-17T11:04:27","date_gmt":"2025-10-17T09:04:27","guid":{"rendered":"https:\/\/romaarteinnuvola.eu\/?page_id=5778"},"modified":"2026-02-23T18:21:22","modified_gmt":"2026-02-23T17:21:22","slug":"talk-2025","status":"publish","type":"page","link":"https:\/\/romaarteinnuvola.eu\/en\/talk-2025\/","title":{"rendered":"Talk 2025"},"content":{"rendered":"

[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=”” css=”.vc_custom_1666022524086{padding-top: 60px !important;}”][vc_column][vc_column_text css=””]<\/p>\n

Talk 2025<\/h2>\n

[\/vc_column_text][vc_empty_space height=”15px”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column][vc_column_text css=””]The Talk programme explores each year specific and highly topical issues within the art agenda, positioning the fair as an open and vibrant cultural space.
\nThis year\u2019s talks address key themes essential to understanding the present of art, spanning history, the market, technology, and new audiences.[\/vc_column_text][vc_empty_space height=”45px”][vc_column_text css=””]<\/p>\n

Friday, November 21<\/div>\n

[\/vc_column_text][vc_empty_space height=”25px”][vc_column_text css=””]<\/p>\n

11:30 AM<\/div>\n

[\/vc_column_text][vc_empty_space height=”25px”][vc_column_text css=””]Presentation of the volume \u201cFabrizio Clerici. Scritti. Simili sognanti fantasticherie\u201d<\/em> \u2013 Edited by Luca Scarlini
\n<\/strong>The volume brings together, for the first time in an organic way, the texts, notes, and writings of the artist Fabrizio Clerici (Milan 1913 \u2013 Rome 1993), revealing the complexity and theoretical depth of his thought. Within its pages emerge the literary and symbolic vision that fuels Clerici\u2019s entire oeuvre \u2014 a body of work in which painting, architecture, and scenography intertwine in a universe suspended between dream and memory.
\nAs Clerici himself wrote in Gaetano Zumbo e la morte<\/em> (1946): \u201cThe catastrophe has occurred. It matters little whether he was a king, an emperor, or a cardinal of an archbishopric \u2014 this inverted man lying naked, with his stomach exposed to the hungry, angry mouth of a disgusting insect… It is enough that he lies there, among the unrecognizable remains of a dog and a stillborn child, and that his eyes, still clouded by maternal melancholy, have opened to the light only to weep the dull tears of poisonous potions.\u201d<\/p>\n

The Electa<\/em> edition curated by Luca Scarlini sheds light on the thought of an artist who succeeded in translating into words the same poetic and visionary tension that permeates his works, casting new light on one of the most distinctive figures of twentieth-century Italian art.<\/p>\n

Guest of the event will be Nancy Brilli<\/strong>, who will give voice to Fabrizio Clerici\u2019s text dedicated to Leonor Fini, a central figure and \u201ctwin\u201d within his imaginative world, as described by Scarlini.<\/p>\n

Participants:
\n<\/strong>Fabio Benzi<\/em>, art historian
\nEdoardo Sassi<\/em>, journalist
\nLuca Scarlini<\/em>, editor of the volume<\/p>\n

In the presence of Giulia Tulino<\/em>, art historian and Director of the Scientific Committee of the Fabrizio Clerici Archive, and Eros Renzetti<\/em>, artist and President of the Fabrizio Clerici Archive.[\/vc_column_text][vc_empty_space height=”45px”][vc_column_text css=””]<\/p>\n

12:30 AM<\/div>\n

[\/vc_column_text][vc_empty_space height=”25px”][vc_column_text css=””]Talk: The New 5% VAT on Works of Art<\/strong>
\nPresentation of the fiscal reform that reduced VAT to 5% on art transactions, and an overview of the new scenarios opening up for galleries, artists, and collectors, making Italy one of the most competitive markets in Europe. This reform brings the country in line with major European standards and represents a historic turning point, placing taxation and art at the center of the international market. Institutional representatives and industry professionals will take part to provide a cross-sector perspective on the cultural, fiscal, and economic implications of the new regulation. Particular attention will be given to the effects on the entire art supply chain\u2014artists, gallerists, collectors, architects, and designers\u2014and to the opportunities this measure offers for revitalizing Italy\u2019s creative system within the European context. After the international event held at the Italian Cultural Institute in Paris, the discussion arrives in Rome to explore the tax and strategic opportunities offered by the reform: from the repatriation of capital and transactions currently directed abroad to the growth of collecting and the entire creative ecosystem.<\/p>\n

Opening remarks by Federico Mollicone, President of the Culture Committee of the Chamber of Deputies and first signatory of the amendment.
\nContribution by Marco Cerbo, Director of the network of Italian Cultural Institutes worldwide, who promoted the Paris event.<\/p>\n

Introduced and moderated by Arch. Alessia Bennani.
\nSpeakers include:<\/p>\n

    \n
  • Avv. Gabriele Tancioni, tax lawyer, with an analysis of the fiscal and practical aspects of the reform;<\/li>\n
  • Dr. Angelo Trementozzi, Financial Analyst, offering insights into the financial aspects of art transactions and cryptocurrencies;<\/li>\n
  • Arch. Francesco Sutton, Studio la Citt\u00e0, Verona Art Gallery.<\/li>\n<\/ul>\n

    The talk will conclude with an open Q&A session for gallerists and collectors on the implications of the reform.[\/vc_column_text][vc_empty_space height=”45px”][vc_column_text css=””]<\/p>\n

    4:00 PM<\/div>\n

    [\/vc_column_text][vc_empty_space height=”25px”][vc_column_text css=””]Today is not Today: immersive artist experiences for VR headsets<\/strong>
    \nIn the conversation between Marco Senaldi and Valerio Borgonuovo, the project \u201cToday is not Today\u201d is presented \u2014 a digital platform for art and art education, featuring immersive and interactive artist experiences designed for VR headsets.
    \nThe first two experiences entering the platform inaugurate a section dedicated to unfinished or never-realized projects of the Italian artistic avant-garde of the 20th century.
    \nDeveloped by the creative agency Scena Urbana, which holds ownership of the project, they are respectively \u201cIl Tempio. La nascita dell\u2019Eidos\u201d (1971\u20132025) by Vincenzo Agnetti and Paolo Scheggi, and \u201cIl labirinto\u201d (1960 \u2013 ca. 2025) by Piero Manzoni.
    \nThe conversation hosted by Roma Arte in Nuvola offers the opportunity to learn about the project\u2019s philosophy, genesis, discoveries, and future perspectives from Marco Senaldi, philosopher and media theorist as well as creator and artistic director of the project, and Valerio Borgonuovo, project manager and research coordinator.
    \n
    \nParticipants:<\/strong>
    \nValerio Borgonuovo
    \nMarco Senaldi[\/vc_column_text][vc_empty_space height=”45px”][vc_column_text css=””]<\/p>\n

    5:30 PM<\/div>\n

    [\/vc_column_text][vc_empty_space height=”25px”][vc_column_text css=””]Creative Arena @ ARTEINNUVOLA<\/strong>
    \nCreativity and technology meet to redefine the future of art<\/p>\n

    Participants<\/strong>:
    \nDaniela Cotimbo, President of Re:humanism; Luca Martinelli, Founder of Rome New Media Week[\/vc_column_text][vc_empty_space height=”45px”][vc_column_text css=””]<\/p>\n

    Saturday, November 22<\/div>\n

    [\/vc_column_text][vc_empty_space height=”25px”][vc_column_text css=””]<\/p>\n

    12:00 AM<\/div>\n

    [\/vc_column_text][vc_empty_space height=”25px”][vc_column_text css=””]Administering Emotions to Awaken<\/strong>
    \nWhen Creativity Meets Healing: A Dialogue Between Art and Science<\/p>\n

    Participants:<\/strong>
    \nLuca Padua, Augusto Fusco, Gabriele Sani, Alessandra Lauria, Davide Giannuzzi
    \nModerator: Gina Ingrassia[\/vc_column_text][vc_empty_space height=”45px”][vc_column_text css=””]<\/p>\n

    4:00 PM<\/div>\n

    [\/vc_column_text][vc_empty_space height=”25px”][vc_column_text css=””]Young Collectors: Who are they and how do they act?<\/strong>
    \nA recent study conducted by the marketplace Avant Arte reveals that 88% of a sample of 3,100 young international collectors wish to donate more to museums \u2014 which they consider irreplaceable institutions for the preservation, education, and promotion of art.
    \nThe same study shows that the vast majority of the sample has the means to do so and that they donate not to flaunt a supposed status, but because they believe in the value of museums.
    \nWhile fully supporting the museum\u2019s mission, they nevertheless expect museums to play a more active role in engaging younger audiences and promoting more live events and experiences \u2014 an interesting finding in an age dominated by virtual interactions, where social media engagement also plays an active role in collecting practices.
    \nThe Italian reality only partially reflects this scenario. Museums are relatively few, and new collectors are not very numerous either. In fact, among various cahiers de dol\u00e9ances, the art market often laments the slow generational turnover in collecting.
    \nThis talk, presented at the fifth edition of Roma Arte in Nuvola, focuses precisely on young Italian collectors \u2014 exploring who they are, how (and if) they differ from foreign collectors, their relationship with institutions (especially museums), what collecting means to them, what value it holds, and what methods they adopt that may distance them from museums. And finally, what distinguishes them \u2014 if anything \u2014 from the previous generation.<\/p>\n

    Participants:<\/strong>
    \nMirko Bizzaglia
    \nAndrea Vittoria Giovannini
    \nLuca Lo Muzio
    \nZeno Massignan[\/vc_column_text][vc_empty_space height=”45px”][vc_column_text css=””]<\/p>\n

    5:30 PM<\/div>\n

    [\/vc_column_text][vc_empty_space height=”25px”][vc_column_text css=””]Urban Art in Italy. From Graffiti and Street Art to Neomuralism<\/strong>
    \nA discussion exploring the evolution of Italian urban art \u2014 from the early days of graffiti and Street Art to the expressive maturity of neomuralism, and its expansion \u201cfrom the street to the studio\u201d through painting, sculpture, installation, photography, performance, and video art. The event highlights how this movement has contributed to shaping a new and distinctive international trend in contemporary art.
    \nOn this occasion, La Repubblica will present in preview its new Guide titled STREET ART ITALIA. URBAN ART FROM GRAFFITI TO NEOMURALISM<\/em>.<\/p>\n

    Speakers<\/strong>: Giuseppe Cerasa, Director of Le Guide di Repubblica; Alice Pasquini, artist; Gonzalo Borondo, artist; Elia Novecento, artist; Simone Pallotta, curator.
    \nModerator<\/strong>: Cesare Biasini Selvaggi, curator, Ifis Art | Banca Ifis.[\/vc_column_text][vc_empty_space height=”45px”][vc_column_text css=””]<\/p>\n

    Sunday, November 24<\/div>\n

    [\/vc_column_text][vc_empty_space height=”25px”][vc_column_text css=””]<\/p>\n

    4:00 PM<\/div>\n

    [\/vc_column_text][vc_empty_space height=”25px”][vc_column_text css=””]LISTEN WHO\u2019S TALKING!<\/strong>
    \nWatch who performs \u2014 and then listen. To understand why they made that particular choice which, at first glance, may seem strange or incomprehensible.
    \nHearing artists speak firsthand about their work is a privilege \u2014 and a gift \u2014 that only contemporary art can offer. Because only contemporary art allows a direct relationship with the living artist. Being in front of and within their work is, therefore, the best way to approach art, to lift that veil of mistrust or even fear often felt toward the most innovative artistic languages, such as performance art.
    \nThis is the wonderful opportunity that Roma Arte in Nuvola offers its audience.
    \nOn Sunday afternoon, closing this year\u2019s rich performance program, visitors will have the chance to hear directly from the participating artists about the meaning behind their choices, the significance of certain gestures, and the essence of their actions.<\/p>\n

    Participants:<\/strong>
    \nSonia Andresano
    \nAlix Boillot
    \nMarilisa Cosello[\/vc_column_text][vc_empty_space height=”25px”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=”” css=”.vc_custom_1760692397008{padding-top: 80px !important;}” el_id=”books”][vc_column][vc_column_text css=””]<\/p>\n

    Book Presentations<\/h2>\n

    [\/vc_column_text][vc_empty_space height=”45px”][vc_column_text css=””]<\/p>\n

    Friday, November 21<\/div>\n

    [\/vc_column_text][vc_empty_space height=”25px”][vc_column_text css=””]<\/p>\n

    11:30 AM<\/div>\n

    [\/vc_column_text][vc_empty_space height=”25px”][vc_column_text css=””]<\/p>\n

    Fabrizio Clerici. Writings
    \n<\/strong>Edited by Luca Scarlini with the collaboration of Eros Renzetti and the Clerici Archive<\/p>\n

    Participants<\/strong>: Fabio Benzi, art historian<\/em>; Edoardo Sassi, journalist<\/em>; Luca Scarlini, editor of the volume
    \n<\/em>In the presence of Giulia Tulino, art historian and director of the Scientific Committee of the Fabrizio Clerici Archive; <\/em>Eros Renzetti, artist and president of the Fabrizio Clerici Archive<\/em><\/p>\n

    [\/vc_column_text][vc_empty_space height=”45px”][vc_column_text css=””]<\/p>\n

    Sunday, November 23<\/div>\n

    [\/vc_column_text][vc_empty_space height=”25px”][vc_column_text css=””]<\/p>\n

    12:00 AM<\/div>\n

    [\/vc_column_text][vc_column_text css=””]50. The Life of Prospero Ritondale in His Desperate Search for Her<\/strong>
    \nby Dino Morra<\/em>
    \nParticipants<\/strong>: Adriana Polveroni, Dino Morra[\/vc_column_text][vc_empty_space height=”45px”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space height=”200px”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

    [vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=”” css=”.vc_custom_1666022524086{padding-top: 60px !important;}”][vc_column][vc_column_text css=””] Talk 2025 [\/vc_column_text][vc_empty_space height=”15px”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column][vc_column_text css=””]The Talk programme explores each year specific and highly topical issues within the art agenda, positioning the fair as an…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":{"footnotes":""},"class_list":["post-5778","page","type-page","status-publish","hentry"],"yoast_head":"\nTalk 2025 - Roma Arte in Nuvola<\/title>\n<meta name=\"description\" content=\"L'approfondimento dei Talk di questa edizione riguarda questioni specifiche e di grande attualit\u00e0 nell'agenda dell'arte.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/romaarteinnuvola.eu\/en\/talk-2025\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Talk 2025 - Roma Arte in Nuvola\" \/>\n<meta property=\"og:description\" content=\"L'approfondimento dei Talk di questa edizione riguarda questioni specifiche e di grande attualit\u00e0 nell'agenda dell'arte.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/romaarteinnuvola.eu\/en\/talk-2025\/\" \/>\n<meta property=\"og:site_name\" content=\"Roma Arte in Nuvola\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/romaarteinnuvola\/\" \/>\n<meta property=\"article:modified_time\" content=\"2026-02-23T17:21:22+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/romaarteinnuvola.eu\/wp-content\/uploads\/2025\/10\/slidehome_RAN_2025.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1100\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/romaarteinnuvola.eu\/en\/talk-2025\/\",\"url\":\"https:\/\/romaarteinnuvola.eu\/en\/talk-2025\/\",\"name\":\"Talk 2025 - 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