{"id":5459,"date":"2025-03-27T17:07:45","date_gmt":"2025-03-27T16:07:45","guid":{"rendered":"https:\/\/romaarteinnuvola.eu\/?page_id=5459"},"modified":"2025-03-28T12:21:21","modified_gmt":"2025-03-28T11:21:21","slug":"special-projects-2023","status":"publish","type":"page","link":"https:\/\/romaarteinnuvola.eu\/en\/special-projects-2023\/","title":{"rendered":"Special Projects 2023"},"content":{"rendered":"

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Special Projects 2023<\/h2>\n

[\/vc_column_text][vc_empty_space height=”15px”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=”” css=”.vc_custom_1697533948905{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner][vc_column_text css=””]<\/p>\n

The Ministry of Culture for Roma Arte in Nuvola<\/h3>\n

[\/vc_column_text][vc_empty_space height=”1px” css=”.vc_custom_1694762639690{background-color: #cecece !important;}”][vc_empty_space height=”15px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”1\/2″][vc_column_text css=””]General Directorate for Contemporary Creativity<\/strong>
Exhibition\/Information Area presenting the numerous activities related to the promotion and support of contemporary visual arts and architecture, as well as cultural and creative enterprises and urban regeneration initiatives. It will also provide an opportunity to explore public notices and projects in the various sectors of competence, and to learn about some tools, such as the web platforms developed by the DGCC that gather surveys and mapping of various forms of contemporary art and architecture.<\/p>\n

Museo delle Civilt\u00e0, Roma<\/strong>
\nShimabuku<\/em>
\nOldest and Newest Tools of Human Beings, 2015<\/p>\n

Victor Fotso Nyie<\/em>
\nSuivre ses Reves, 2021
\nThe artwork is accompanied by a video documentary:
\nIdentit\u00e0 sospese<\/em><\/p>\n

Antonio Biasiucci, 2023
\nP2833 n.3<\/em>
\nP2833 n.7<\/em>
\nP2833 n.19<\/em>
\nP2833 n.24<\/em>
\nP2833 n.25<\/em>[\/vc_column_text][vc_column_text][\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=””]MAXXI_Museo nazionale delle arti del XXI secolo<\/strong>
\nMario Merz
\nSenza Titolo (Triplo igloo)<\/em>, 1984 – 2002
\nPedro Reyes
\nCiclom\u00f3vil<\/em>, 2007<\/p>\n

 <\/p>\n

Galleria Nazionale d\u2019Arte Moderna e Contemporanea<\/strong>
\nAlberto Burri
\nNero Bianco Nero<\/em>, 1955<\/p>\n

 <\/p>\n

Archivio Luce Cinecitt\u00e0
\n<\/strong>with two stations\/installations, it will feature a miscellaneous film on modern art and a second film focused on contemporary art, creating a kind of journey that carries the visitor from twentieth-century art to today’s most contemporary expressions.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=”” css=”.vc_custom_1697533958355{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner][vc_column_text css=””]<\/p>\n

EXHIBITIONS<\/h3>\n

[\/vc_column_text][vc_empty_space height=”1px” css=”.vc_custom_1694762639690{background-color: #cecece !important;}”][vc_empty_space height=”15px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”1\/2″][vc_column_text css=””]LA COLLEZIONE FARNESINA A ROMA ARTE IN NUVOLA<\/strong>
\nMinistry of Foreign Affairs and International Cooperation<\/p>\n

LA CITT\u00c0 DELLE DONNE. Un secolo di corpi femminili e Roma (1855 \u2013 1955)<\/strong>
\nWorks from the Collections of the Rome Superintendency for Cultural Heritage.<\/p>\n

ALIGHIERO BOETTI<\/strong>
\nMonografic exhibition[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=”” css=”.vc_custom_1697533966073{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner][vc_column_text css=””]<\/p>\n

INSTALLATIONS<\/h3>\n

[\/vc_column_text][vc_empty_space height=”1px” css=”.vc_custom_1694762658196{background-color: #cecece !important;}”][vc_empty_space height=”15px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”1\/2″][vc_column_text]SVEVA ANGELETTI<\/strong>
\nTutte le cose che non ti ho detto<\/em>
\nCourtesy<\/em> La Nuova Pesa, Roma<\/p>\n

ANDREA BIANCONI<\/strong>
\nSit down to have an idea<\/em>
\nCourtesy<\/em> Barbara Davis Gallery, Houston, Texas
\nGioved\u00ec 23 > Domenica 26 | Tutto il giorno – Forum,
\nPiano 0, <\/em>C<\/em>orridoio D<\/em><\/p>\n

VINCENZO MARSIGLIA<\/strong>
\nMap (star) the world cloud<\/em><\/p>\n

GUIDO IANNUZZI<\/strong>
\nLegati ad un granello di sabbia<\/em>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=””]JOANA VASCONCELOS<\/strong>
\nCaldi abbracci<\/em>, 2022
\nCourtesy <\/em>Mimmo Scognamiglio Artecontemporanea, Milano<\/p>\n

HELIDON XHIXHA<\/strong>
\nGetto di Luce,<\/em> 2023
\nCourtesy<\/em> Galleria Poleschi, Milano<\/p>\n

MATTIA SUGAMIELE<\/strong>
\nMirrorland<\/em>
\nDal 14 al 26 novembre 2023 \u2013 Hotel Eden, Roma
\npresented by di Valentina Ciarallo[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=”” css=”.vc_custom_1697533981254{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner][vc_column_text css=””]<\/p>\n

PERFORMANCES<\/h3>\n

[\/vc_column_text][vc_empty_space height=”1px” css=”.vc_custom_1694762667678{background-color: #cecece !important;}”][vc_empty_space height=”15px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”1\/2″][vc_column_text css=””]Thursday –\u00a0 23 November
\n<\/strong>Area Talk
\n\u2022 6:00 PM – Marta Jovanovi\u0107<\/strong>\u00a0Pelle<\/em>
\npresented by\u00a0 Valentina Ciarallo<\/p>\n

Marta Jovanovi\u0107<\/strong>, a Serbian multimedia artist, is one of the standout performers featured in the rich Special Projects<\/em> program of Roma Arte in Nuvola 2023. Founder of the \u201cPerformance Art Program\u201d at the Museum of Contemporary Art in Belgrade, she was awarded a residency at the Getty Institute in Los Angeles and has established herself artistically in both institutional and private contexts. Jovanovi\u0107\u2019s research focuses on the body and its cultural interpretations, particularly the gender constructs historically tied to it.
\nShe is the protagonist of the award-winning film Born Just Now<\/em> by Robert Adanto and currently teaches performance art at RUFA in Rome. Following performances at venues such as the Museum of Roman Civilization in Rome, the Art and Cultural Center of Hollywood, and the 55th Venice Biennale, Marta Jovanovi\u0107 is regarded as one of the most influential feminist artists on the international scene.
\nFor Roma Arte in Nuvola 2023, Marta Jovanovi\u0107, in collaboration with composer Federico Landini<\/strong>, presents a new, original performance centered on the body and the identity it carries. Using microphones and amplifiers, Jovanovi\u0107 offers the audience intimate and evocative sounds generated by the contact between electronic equipment and her skin, which is carefully stimulated by the sound designer.
\nThe artist invites us to reflect on the ontological concept of existence<\/em>, which is manifested in the world through our very bodies. As the sounds produced during the performance resonate throughout the spaces of La Nuvola, the audience is given the opportunity to engage with both the tangible\u2014represented by the body\u2014and the intangible, expressed through fleeting and elusive sounds. A composition of sounds maps the body, creating an archive of the self with which spectators can engage, observing the performance at close range and without barriers.<\/p>\n

Friday –\u00a0 24 November
\n<\/strong>Foyer, Level -1, Level 0 and Area Talk
\n\u2022 12:00 AM – Simone Bacco<\/strong> Sottotitoli di una fuga<\/em>
\npresented by Chiara Pagano<\/p>\n

Area Talk
\n\u2022 2:30 PM –\u00a0 Anna Basti<\/strong> Le classique c’est chic!<\/em>
\npresented by di Chiara Pagano
\nThe class is open to all, no previous experience required. Spaces are limited, so reservations are necessary. For information and bookings, please contactleclassiquecestchic@gmail.com<\/span><\/p>\n

Area Talk
\n\u2022 6:00 PM – Wissal Houbabi <\/strong>e Roberto Paci Dal\u00f2<\/strong> 7 Lemi (I miei sogni)<\/em>
\npresented by di Chiara Pagano<\/p>\n

On November 24, Roma Arte in Nuvola \u2013 the international fair of modern and contemporary art, conceived and directed by Alessandro Nicosia and produced by C.O.R. with artistic direction by Adriana Polveroni and the consultation of Valentina Ciarallo \u2013 presents to the public Count(er)ing Beats: Sounding Perimeters for Divergent Cartographies<\/em>, a project curated by artist and performer Chiara Pagano, produced by C.O.R.
\nCount<\/span>(<\/span>er<\/span>)<\/span>ing <\/span>Beats<\/span>: <\/span>Sounding <\/span>Perimeters <\/span>for <\/span>Divergent <\/span>Cartographies<\/span><\/em> unfolds <\/span>in <\/span>three <\/span>performances <\/span>conceived <\/span>by <\/span>Simone <\/span>Bacco<\/span><\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=””]<\/p>\n

It is a vulnerable body that flees and repositions itself in space to challenge powers and hierarchies, as seen in Simone Bacco’s performance Sottotitoli di una Fuga<\/em>; it is a collective body that expands its boundaries through a re-signification and reclamation of its subjectivity and the surrounding public space, as in Anna Basti’s project Le Classique C\u2019est Chic!<\/em>; it is a desiring body that creates new, extraordinary environments and evokes distant kinships through the use of voice, as demonstrated in the performance 7LAMI<\/em> by Wissal Houbabi and Roberto Paci Dal\u00f2.<\/p>\n

Each journey, through a combination of sounds and gestures, activates a process of deterritorialization and new grounding, inviting an interrogation of memory and a repositioning of knowledge. By allowing a type of pre-verbal communication to reemerge, this process revives ancient sisterhoods while simultaneously invoking new alliances.<\/p>\n

Saturday –\u00a0 25 November
\n<\/strong>Foyer, Level -1
\n\u2022 Starting from 12:00 AM Letizia Cariello<\/strong> Wind of change<\/em>
\npresented by Adriana Polveroni<\/p>\n

A thread the color of blood and a needle gliding between an artist’s fingers. Hours spent sewing a sail as a metaphor for a deep suture. Never before, as in these days, has a performance managed to capture the dramatic intensity of the historical moment we are living. Because the artist\u2019s gaze always goes beyond.<\/p>\n

Forum, Level 0
\n\u2022 Starting from 3:30 PM Francesca Romana Pinzari<\/strong>
\nThere is always a reason<\/em><\/p>\n

Sunday 26 November
\n<\/strong>Foyer, Level -1, Level 0 e Area Talk
\n\u2022 Ore 14:31 Alice Schivardi<\/strong> Corvi o colombe?<\/em>
\npresented by Valentina Ciarallo<\/p>\n

Alice Schivardi<\/strong>, born in 1976, is one of the key figures in the rich portfolio of performances at Roma Arte in Nuvola 2023. Recognized by critics as a prolific representative of ‘relational art,’ Schivardi places human experience at the center of her research, examined through a careful analysis of the relationships that connect individuals. She is particularly interested in the morbid fascination that often governs people, transforming them into toxic and neurotic connections. Her performances have been staged in numerous institutions\u2014from the Luigi Pecci Centre for Contemporary Art in Prato to the National Gallery of Rome\u2014and she has participated in various solo and group exhibitions in both public and private venues, such as the Richard Saltoun Gallery in London, the 53rd Venice Biennale (a collateral event), the Premio Maretti for Contemporary Art at the Pan Museum in Naples, and the Imago Mundi exhibition organized by the Sandretto Re Rebaudengo Foundation.<\/p>\n

The encounter between opposites is the central theme of Alice Schivardi\u2019s new performance conceived for Roma Arte in Nuvola 2023. In every human being there are ravens and doves, light and shadow, purity and inclinations toward the murky. In an era where we are constantly compelled to choose between black and white, one perspective or another, the artist invites us to reflect on the theme of choice and its attendant anxiety, proposing an ideal reconciliation of opposing tensions, embodied by the participants. Through visual metaphors\u2014using symbolic colors and totemic images throughout the performance\u2014the audience is given the opportunity not only to engage in dialogue with the artist but also to connect with her most intimate and personal emotional dimension, discovering aspects of themselves that had previously remained hidden.
\nRavens or doves? It becomes a mirror on which one can reflect upon one’s own conscience, offering the chance for a positive rethinking of self.<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=”” css=”.vc_custom_1666022524086{padding-top: 60px !important;}”][vc_column][vc_column_text css=””] Special Projects 2023 [\/vc_column_text][vc_empty_space height=”15px”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=”” css=”.vc_custom_1697533948905{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner][vc_column_text css=””] The Ministry of Culture for Roma Arte in Nuvola…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":{"footnotes":""},"class_list":["post-5459","page","type-page","status-publish","hentry"],"yoast_head":"\nSpecial Projects 2023 - 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