{"id":5437,"date":"2025-03-27T15:56:56","date_gmt":"2025-03-27T14:56:56","guid":{"rendered":"https:\/\/romaarteinnuvola.eu\/?page_id=5437"},"modified":"2025-03-28T12:14:55","modified_gmt":"2025-03-28T11:14:55","slug":"special-projects-2022","status":"publish","type":"page","link":"https:\/\/romaarteinnuvola.eu\/en\/special-projects-2022\/","title":{"rendered":"Special Projects 2022"},"content":{"rendered":"

[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=”” css=”.vc_custom_1666022524086{padding-top: 60px !important;}”][vc_column][vc_column_text css=””]<\/p>\n

Special Projects 2022<\/h2>\n

[\/vc_column_text][vc_empty_space height=”15px”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=”” css=”.vc_custom_1666102812278{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner][vc_column_text css=””]<\/p>\n

EXHIBITIONS<\/h3>\n

[\/vc_column_text][vc_empty_space height=”1px” css=”.vc_custom_1694762639690{background-color: #cecece !important;}”][vc_empty_space height=”15px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”1\/2″][vc_column_text css=””]Piero Dorazio e il suo tempo<\/strong><\/em><\/p>\n

Le opere dell\u2019Eur. \u201cUna apparizione di valori\u201d<\/strong><\/em><\/p>\n

Inedite Azioni<\/strong><\/em>
\nJoseph Beuys – Keith Haring – Hermann Nitsch<\/strong><\/em>
\nPhotographs by Mario Carbone and Stefano Fontebasso De Martino from the Collections of the Rome Superintendency[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=”” css=”.vc_custom_1666102817525{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner][vc_column_text css=””]<\/p>\n

INSTALLATIONS<\/h3>\n

[\/vc_column_text][vc_empty_space height=”1px” css=”.vc_custom_1694762658196{background-color: #cecece !important;}”][vc_empty_space height=”15px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”1\/2″][vc_column_text css=””]Pablo Atchugarry<\/strong>
\n(Uruguay, 1954)
\nSearch of the Future, <\/em>2018
\nCourtesy<\/em> Contini Galleria d’Arte, Venezia-Cortina d’Ampezzo<\/p>\n

Jessica Backhaus<\/strong>
\n(Germania, 1970)
\nCut Out #26,<\/em> 2020<\/p>\n

Manfredi Beninati<\/strong>
\n(Palermo,1970)
\nAi Leoni,<\/em> 2022<\/p>\n

Stefano Canto<\/strong>
\n(Roma, 1974)
\nMonumento a Theo van Doesburg, <\/em>2011-2018
\nCourtesy<\/em> Mat\u00e8ria, Roma<\/p>\n

Giacomo Cossio<\/strong>
\n(Parma, 1974)
\nContronatura,\u00a0<\/em>2022<\/p>\n

Atar Geva e Nivi Alroy<\/strong>
\n(Israele, 1975 \u2013 Israele, 1978)
\n100 years, a journey beyond the end of time<\/em>
\nIn collaboration with the Cultural Office of the Embassy of Israel in Italy<\/p>\n

Silvia Giambrone<\/strong>
\n(Agrigento, 1981)
\nCourtesy<\/em> Richard Saltoun Gallery and Studio Stefania Miscetti<\/p>\n

Ludovica Gioscia<\/strong>
\n(Roma, 1977)
\nCourtesy<\/em> of the artist and VITRINE, London\/Basel[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=””]Christian Jankowski<\/strong>
\n(Germania, 1968)
\nEveryday Tasks \u2013 Sphere of the Gods, 2019<\/em>
\nCourtesy<\/em> Galleria Enrico Astuni e l’Artista<\/p>\n

Francesca Leone<\/strong>
\n(Roma, 1964)
\nSi pu\u00f2 illuminare un cielo melmoso e nero?<\/em>
\nAs part of the partnership with Intesa Sanpaolo Bank and Gallerie d’Italia<\/p>\n

Miltos Manetas<\/strong>
\n(Grecia, 1964)
\n#Manetas_style<\/em>
\nCourtesy<\/em> Galleria Valentina Bonomo, Roma<\/p>\n

Marianna Masciolini<\/strong>
\n(Foligno, 1964)
\nDriving energy<\/em><\/p>\n

Verdiana Patacchini<\/strong>
\n(Orvieto, 1984)
\nFigura Bugiarda I e II<\/em>
\nCourtesy<\/em> Emmeotto Arte, Roma<\/p>\n

Lorenzo Quinn<\/strong>
\n(Roma, 1966)
\nRoma<\/em><\/p>\n

Giovanni Termini<\/strong>
\n(Assoro, 1972)
\nA matter of mutual interest<\/em>
\nCourtesy<\/em> MeVannucci, Pistoia<\/p>\n

Jaguar IWR Automotive<\/strong>
\nQuando stile e performance diventano arte<\/em>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=”” css=”.vc_custom_1666102817525{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner][vc_column_text css=””]<\/p>\n

PERFORMANCES<\/h3>\n

[\/vc_column_text][vc_empty_space height=”1px” css=”.vc_custom_1694762667678{background-color: #cecece !important;}”][vc_empty_space height=”15px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner][vc_column_text css=””]“For the entire duration of the Fair”<\/span>
\nMarcella Vanzo
\n(Milano, 1973)
\nIL NEGOZIO DEL NIENTE<\/em><\/p>\n

Thursday – 17 November, 12:00 PM<\/span>
\nLoredana Longo
\n(Catania, 1967)
\nLIMIT<\/em><\/p>\n

Saturday – 19 November, from 2:00 PM\u00a0 until 8:00 PM\u00a0<\/span>
\nRomina de Novellis
\n(Napoli, 1982)
\nLA PECORA<\/em><\/p>\n

Domenica 20 Novembre, ore 16:00<\/span>
\nElena Bellantoni
\n(Vibo Valentia, 1975)
\nPENSATE DOMANI \u00c9 LA FINE DEL MONDO<\/em>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=”” css=”.vc_custom_1666022524086{padding-top: 60px !important;}”][vc_column][vc_column_text css=””] Special Projects 2022 [\/vc_column_text][vc_empty_space height=”15px”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=”” css=”.vc_custom_1666102812278{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner][vc_column_text css=””] EXHIBITIONS [\/vc_column_text][vc_empty_space height=”1px” css=”.vc_custom_1694762639690{background-color: #cecece !important;}”][vc_empty_space height=”15px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width”…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":{"footnotes":""},"class_list":["post-5437","page","type-page","status-publish","hentry"],"yoast_head":"\nSpecial Projects 2022 - 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