{"id":5297,"date":"2024-10-29T18:57:07","date_gmt":"2024-10-29T17:57:07","guid":{"rendered":"https:\/\/romaarteinnuvola.eu\/?page_id=5297"},"modified":"2025-03-28T12:47:58","modified_gmt":"2025-03-28T11:47:58","slug":"talk-2024","status":"publish","type":"page","link":"https:\/\/romaarteinnuvola.eu\/en\/talk-2024\/","title":{"rendered":"Talk 2024"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1666022524086{padding-top: 60px !important;}&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h2 class=\"titolo-pagina\">Talk 2024<\/h2>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;15px&#8221;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]This year&#8217;s in-depth focus addressed <strong>specific and highly relevant issues<\/strong> on the contemporary art agenda.[\/vc_column_text][vc_empty_space height=&#8221;45px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div style=\"background-color: #3b77aa; color: white; padding: 20px;\">Friday, November 22<\/div>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;25px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div style=\"background-color: #87ceeb; color: black; padding: 20px; max-width: 200px;\">4:00 PM<\/div>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<strong>The Pleasure of Art: A Collector\u2019s Life<\/strong><br \/>\nWhat does it mean to be a collector today? Studying, following trends, traveling the world, considering the economic aspect, discovering and supporting talent, enjoying the process, working hard, and never stopping.<br \/>\nAll of this is true, but being a collector primarily means living as a collector. It means doing everything mentioned above, but doing it with passion, nourishing life with that irresistible enthusiasm that art can ignite. It may take you far away, to fairs and ateliers across the globe, or closer to home, sharing choices, evenings, and endless discussions with fellow collectors, artists, and those aspiring to become collectors themselves.<br \/>\nBeing a collector is, in essence, a rich and fulfilling life, full of discoveries, unexpected moments, surprises, and even some disappointments.<br \/>\nMoreover, collecting evolves, just like life itself. From generation to generation, movement to movement, each collector creates their own horizon of interest and unique story.<br \/>\nTo explore this theme, we will start with two recently published books:<br \/>\n&#8220;Anna e Giorgio Fasol. Una vita da collezionisti&#8221;<br \/>\n&#8220;Emilio Bordoli. Vita da collezionista&#8221;<\/p>\n<p>We will hear from the featured collectors themselves, alongside younger collectors who bring new perspectives to the conversation.<\/p>\n<p>Participants:<br \/>\nAnna e Giorgio Fasol<br \/>\nEmilio Bordoli<br \/>\nLaura Pranzetti Lombardini[\/vc_column_text][vc_empty_space height=&#8221;45px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div style=\"background-color: #87ceeb; color: black; padding: 20px; max-width: 200px;\">5:30 PM<\/div>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<strong>Contemporary Art Parks in Italy: The Broad Field of Aesthetic Biodiversity<br \/>\n<\/strong><br \/>\nThis talk aims to explore the growing presence of sculpture parks in Italy, which are becoming increasingly popular with the general public. These contemporary art spaces examine the fascinating relationship between art, landscape, and nature.<br \/>\nOpen-air galleries of works and masterpieces, these parks are gifts to the community from visionary patrons, passionate businesses, and visionary artists. They offer a unique experience where art interacts harmoniously with the environment, creating a dialogue between creativity and natural beauty.<\/p>\n<p>Curated by Banca Ifis[\/vc_column_text][vc_empty_space height=&#8221;45px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div style=\"background-color: #3b77aa; color: white; padding: 20px;\">Saturday, November 23<\/div>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;25px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div style=\"background-color: #87ceeb; color: black; padding: 20px; max-width: 200px;\">4:00 PM<\/div>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<strong>Active Support for Art<\/strong><br \/>\nCulture comes at a cost! Institutions are well aware of this, as are private entities, often called upon to fill the gaps, either by aligning themselves with specific cultural initiatives or supporting high-impact projects that resonate globally.<br \/>\nMore innovative approaches emerge when a company invests in a cultural project that lacks immediate visibility but aligns with its values and objectives. A prime example is Elica, a leading manufacturer of kitchen extractor hoods from the Marche region, which invites artists into its factories to exhibit their works, encouraging employees to engage with the complexity of contemporary art.<br \/>\nOn the funding side, some companies actively support external projects. Ghella, a global leader in infrastructure, selects professional photographers to document its major construction sites worldwide. These projects are later compiled into a book and showcased in three exhibitions at MAXXI.<br \/>\nIn the public sector, the General Directorate for Contemporary Creativity of the Ministry of Culture plays a key role in funding contemporary art through the Italian Council, which supports artists, curators, and scholars each year.<br \/>\nPrivate collectors also contribute by opening their collections to the public, fostering dialogue with institutions and corporate sponsors.<br \/>\nAmong the most engaged financial institutions, Banca Ifis has made a significant commitment to contemporary art, launching various initiatives that reflect a well-structured and deep-rooted interest in artistic support.<br \/>\nThis is not just about generosity, but rather about best practices driven by a genuine appreciation for the unconventional perspectives that artists bring to reality. From this intersection of different paths, origins, and sensitivities, something unique emerges\u2014a new stimulus, an eccentric vision\u2014that benefits both businesses and institutions alike.<\/p>\n<p>Guest Speakers:<br \/>\nMatteo d\u2019Aloja \u2013 Director of External Relations, Communication, and Sustainability, Ghella<br \/>\nFabio De Chirico \u2013 Director of Contemporary Art and Photography, General Directorate for Contemporary Creativity, Ministry of Culture (MiC)<br \/>\nMarcello Smarrelli \u2013 Artistic Director, Fondazione Ermanno Casoli (Elica)<br \/>\nGuido Talarico \u2013 Publisher of Inside Art and founder of the Talent Prize[\/vc_column_text][vc_empty_space height=&#8221;45px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div style=\"background-color: #87ceeb; color: black; padding: 20px; max-width: 200px;\">5:30 PM<\/div>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<strong>The Women of Antonio Canova , <em>lectio magistralis<\/em> by Vittorio Sgarbi<\/strong><br \/>\nOn this occasion, twelve sculptures by Antonio Canova are presented\u2014rendered yet until now dispersed. Pure as snow, just as they emerged from the sculptor\u2019s Roman studio for the long journey to Venice. Thanks to the integrity of their design, they appear as the ideal heads on which Canova worked around 1810. The perfection of their execution points directly to the sculptor himself: in at least two cases, they served as models for marble works; in the others, they are autograph casts &#8216;of good form&#8217;\u2014that is, casts made from the marble heads of known works, intended to perpetuate their memory.<\/p>\n<p>Curated by Banca Ifis[\/vc_column_text][vc_empty_space height=&#8221;45px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div style=\"background-color: #3b77aa; color: white; padding: 20px;\">Sunday, November 24<\/div>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;25px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div style=\"background-color: #87ceeb; color: black; padding: 20px; max-width: 200px;\">2:30 PM<\/div>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<b>SOSPESI<\/b><\/p>\n<p>Sospesi is a collection of photographs and film footage captured just a few meters above the ground\u2014a perspective both artists choose to observe and document reality through their lenses. White sandy beaches, geometric patterns of umbrellas, and densely packed concert crowds offer a glimpse into an ever-changing world, where a single shot becomes memory, and the spontaneity of an instant transforms into a work of art.<br \/>\nIn Vitali\u2019s works, the depth of field expands, creating multiple layers of interpretation, while in Di Cera\u2019s photographs, the plane of interest broadens even further.<br \/>\nVitali\u2019s images narrate stories of authentic life, depicting familiar scenarios where each element finds its place in perfect harmony with the surrounding landscape.<br \/>\nDi Cera\u2019s work extends this vision, offering a fresh perspective on the interplay between space, people, and fleeting moments.<\/p>\n<p>Curated by: Maison Bosi<br \/>\nSpeakers:<br \/>\nJacopo Di Cera, Artist<br \/>\nMassimo Vitali, Artist[\/vc_column_text][vc_empty_space height=&#8221;25px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div style=\"background-color: #87ceeb; color: black; padding: 20px; max-width: 200px;\">3:30 PM<\/div>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<b>Voice: Performative Practices in Relation to the Voice<\/b><\/p>\n<p>Voice: Performative Practices in Relation to the Voice<br \/>\nCurated by: Daniela Cotimbo<br \/>\nSpeaker: Caterina Tomeo, Art Historian[\/vc_column_text][vc_empty_space height=&#8221;25px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div style=\"background-color: #87ceeb; color: black; padding: 20px; max-width: 200px;\">5:00 PM<\/div>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<strong>What Do We Talk About When We Talk About Performance?<\/strong><br \/>\nAlthough performance art has long been recognized as an integral part of contemporary artistic languages, it remains somewhat distant from the general public.<br \/>\nAnd not only that\u2014performance as an artistic language evolves, just like any other form of expression. It adopts new media, explores uncharted possibilities, and in a word, grows, changes, and matures.<br \/>\nSince its second edition, Roma Arte in Nuvola has included a performance art program, providing space for an artistic expression that is not immediately commercializable\u2014one that does not reduce itself to a physical object, a work of art, or something to be sold.<br \/>\nFor its fourth edition, the fair introduces a new medium into its performance program: sound. This year, three out of the four featured performers work specifically with sound and voice as key artistic elements.<br \/>\nTo foster a deeper and more meaningful relationship with the audience, this year&#8217;s four performers will come together for a special talk to discuss their approaches, inspirations, and evolving practices.<\/p>\n<p>Guests:<br \/>\nFrancesco Fonassi (Performance on Thursday, Nov. 21 \u2013 6:30 PM)<br \/>\nIginio De Luca (Performance on Friday, Nov. 22, Saturday, Nov. 23, and Sunday, Nov. 24)<br \/>\nLU.PA (Lul\u00f9 Nuti and Pamela Pintus \u2013 Performance on Saturday, Nov. 23 \u2013 6:00 PM)<br \/>\nFrancesca Cornacchini (Performance on Sunday, Nov. 24 \u2013 12:00 AM)[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1731666255698{padding-top: 80px !important;}&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h2>Book Presentations<\/h2>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;45px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div style=\"background-color: #3b77aa; color: white; padding: 20px;\">Friday, November 22<\/div>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;25px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div style=\"background-color: #87ceeb; color: black; padding: 20px; max-width: 200px;\">12:00 AM<\/div>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<strong>Vettor Pisani: The Enigma and the Secret \u2013 Sfera Edizioni<\/strong><br \/>\nPresented by authors Giovanna Dalla Chiesa, Carmelo Cipriani, Asia Benedetti, along with Gaia Riposati, Mario, and Dora Pieroni.[\/vc_column_text][vc_empty_space height=&#8221;45px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div style=\"background-color: #3b77aa; color: white; padding: 20px;\">Saturday, November 23<\/div>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;25px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div style=\"background-color: #87ceeb; color: black; padding: 20px; max-width: 200px;\">3:00 PM<\/div>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<strong>REALIA<\/strong><br \/>\nThirteen Exhibitions Around Reality \u2013 Edizioni Quodlibet<br \/>\nPresented by Arnaldo Colasanti, Carlo Alberto Bucci, and Simona Marchini.[\/vc_column_text][vc_empty_space height=&#8221;45px&#8221;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][vc_empty_space height=&#8221;200px&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1666022524086{padding-top: 60px !important;}&#8221;][vc_column][vc_column_text css=&#8221;&#8221;] Talk 2024 [\/vc_column_text][vc_empty_space height=&#8221;15px&#8221;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]This year&#8217;s in-depth focus addressed specific and highly relevant issues on the contemporary art agenda.[\/vc_column_text][vc_empty_space height=&#8221;45px&#8221;][vc_column_text css=&#8221;&#8221;] Friday, November 22&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":{"footnotes":""},"class_list":["post-5297","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - 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